Sunday, February 26, 2012

“Contingency” Update 2012 February 26


I made good time on Contingency this week. I had it ready to take into the film festival office Friday, but then I got the extra film I shot delivered Thursday. Most of the new shots looked very good, but a few were disappointing. My sloppiness I’m afraid. I got most of what I wanted, so I was happy. There was only one shot I debated about using.

I felt the new shots were an improvement on what I had.

I tried to refinish the film Friday. I got all the new shots in, but the recut film is longer. It was only about three seconds, but I need to adjust the sound a little to make it fit. I didn’t have time to do that Friday.

I asked for an extension to get the film ready and they said I could bring it in early next week. I don’t think I’ll have a problem with that.

They have started to promote the festival and posted a “review” of my film on-line. csifblog.wordpress.com/2012/02/22/more-100-film-festival-reviews-by-tim-zak/ It is only one line long, but he is nice to me.

I showed the film to my wife and she said nice things about it.

I’d reshot my film Some Days . . . as well, but I had accidentally jarred the camera when I was shooting and the image was off center. Other than that, it looked very good. I decided that it wasn’t ready to show. Next year for sure!

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Monday, February 20, 2012

Conversation Stories 2012 February 20


My story The Crying Woman is what I call a “conversation story”. I plan to do what I’ve done with my transportation planning stories and write a series of articles and blog posts to explore that concept more thoroughly.

Other than write The Crying Woman and set up the conversation stories webpage, I haven’t produced much. However, I have given it a lot of thought. I have an article partly drafted, but it may be a while before I publish it yet. With my film Contingency still not quite ready, I can put too much time into anything else. At least not for a few weeks yet.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Sunday, February 12, 2012

“Contingency” Progress Report 2012 February 12

 
I worked on my film Contingency most of the week. Some of the shots I had in the film were not as good as I would have liked, so reshot them. During the first part of the week, I set up or arranged the images I needed.

Wednesday I went downtown to pick up a camera from the Calgary Society of Independent Filmmakers. They moved their office just before Christmas and it was my first time to visit it. They have far less space now, but I think they have it more efficiently laid out. I believe they plan for this to be temporary. Temporary can last longer than permanent though.

I shot Thursday. It was a long day and slow work. I had to move the camera and tripod around, but fortunately, I didn’t need to use any lights. Even as it was, my cracked rib gave me a lot of pain. I tried to reshoot my other film, Some Days . . . , as well, but I’m not confident I’ll have a final version from that.

Friday I returned the camera. I sent the film to Niagara Custom Lab in Toronto http://www.niagaracustomlab.com/. I hope I get it back in time to get it ready for the festival. The time is tight though. In the past, I knew Rick Doe, who ran the film lab here in Calgary, would give priority to a project if you asked for it, but not for a 100-foot roll.

The $100 Film Festival accepted both Contingency and Some Days . . . this week. I told them that I didn’t think Some Days . . . would be ready. I have a version of Contingency that I feel is good enough to show, so even if the new film isn’t back in time, I can show it.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Sunday, February 5, 2012

My Film Equipment Repair Adventure


I have an old Super 8/Regular 8 movie projector that hasn’t worked for so long I don’t remember when it stopped working. I decided to see if I could get it to work again.

I transferred some old home movies to video 28 years ago, but I’m not happy with the quality of the video bow. I think I can do better now. I also want to transfer some of the super 8 film I shot for Weekend in Calgary, Who Shot the President, If I Knew . . . and a couple abandoned projects. I think I could reuse them. The CSIF does have a Super transfer system, so I could use that too.

I investigated on-line to see if I could get any information about the projector, a Sankyo Dualux 1000. I was surprised to find out that replacement parts are for sale on the internet. In fact, some people have “new in the box” projectors. I found a copy of the manual that I downloaded. It is in Spanish or French, but it helps a little. Apparently it is still a popular projector because it is good for video transfers. Sanko hasn’t made any for over 30 years.

The problem with the projector is that the drive belt has disintegrated. Replacements are available, but expensive. Some people suggested using an O-ring, which is much cheaper and easier to find. I tried an elastic band, and that didn’t work. I also worry about the bulb going. Fortunately, the bulbs are still available. The bulb seems to be working OK now, but I wonder if I should get a replacement one, just in case.

I looked to O-rings in Rona and Canadian Tire. They both had O-rings, but they were all too small. I asked my brother for advice and he said that an auto parts dealer should have what I’m looking for. He gave me the names of a couple of places in town that he thought would the best to try. I went out searching and visited several places before I found one that I thought would work.

I tried to install the O-ring a few weeks ago. The ring itself seemed to be the right size, but in order to install it I have to get it through some thin gaps, and the O-ring was just too thick. I suppose that if I more completely disassembled the projector that I could make more room, but I didn’t have that much confidence in my ability to put it back together again.

I decided that if I cut the O-ring in half lengthwise that I could get it to fit. It took a long time to cut it in half. I tried to install the cut O-ring last Monday. It worked! It was easy to install and it was just the right length. The projector seemed to operate well enough. Unfortunately, the next day when I tried to use the projector to screen a Super 8 film, the O-ring broke. When I cut it in half I must have weakened it.

I was at a loss as what to try next. I couldn’t see myself getting back out to buy another O-ring again for a long while. Even then, I couldn’t be sure I could get one skinny enough to fit through the thin slots.

Although an elastic band didn’t work when I tried it before, I decide to try again. This time I picked one that was thicker and shorter. I thought that would keep it from stretching too much, which was the problem last time. That seemed to do the trick. I’ve used it a few times, the project has worked well, and the elastic band looks like it is in good shape. We have several more elastic bands of a similar size, so if this one breaks after a while, it will be fairly easy to replace.

One of the joys of filmmaking is the struggle to keep the old equipment alive. On the other hand, the old film equipment does hold up better than newer video and digital equipment.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog