First Draft of “Felix” Done

I finished the first draft of my story Felix. It is a science fiction story set on Mars. I based it on a Lovecraft story. I added 3,100 words this week and the first draft came in a little over 8,000 words.

It really needs a rewrite though. I’ll do at least one more draft, maybe two, before I start to look for some volunteer beta readers. I’ll leave it for a few weeks before I start on a rewrite. That will let me work on my other science fiction story, Heat Wave.

I resubmitted my short story Pete’s Plan to another science fiction magazine. This is the fourth submission now. I didn’t rewrite it again as I did after the first couple of submissions.

Someone sent me a link to a website that lists a whole bunch of places to submit science fiction stories: ralan.com. It listed 42 professional magazines, and over 100 semi-pro and amateur magazines. I hope that at least one of them will want my story.

By the way, if you would like to help me and volunteer to be a beta reader, please get in touch with me. Thanks.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Back to “Felix”

I got back to work on “Felix” this week. It is the story of two astronauts on Mars and their search for a robot rover that got lost many years earlier.

I’d left it nearly two months. I added almost 2,000 words this week. I also deleted almost 600 words. The story is now about 5,300 words long. I think the first draft will end up about 7,000 words, so I’m about 80% done. That is shorter than I wanted. Possibly, when I rewrite, I can enhance it and make it longer.

I adopted an approach that H. P. Lovecraft recommended. In the final story, I will tell much of the story in flashback. What H. P. suggested was that you write the story in chronological order, and then restructure it to the final order later.

So far, I think that approach has worked well for me. I do see some problems that will come up later. I wrote as if the final version would still be in chronological order. At the start I reveal some introductory information that needs to be at the start of the final story, but in this draft, the section that will be first, comes later in the story. It shouldn’t be too difficult to fix, but I need to remember I’ll need to deal with it.

I got another rejection for “Pete’s Plan” this week. I was a disappointed. I started with the higher paying SF magazines, so the competition would be stiffer. I may do better with some of the other ones. 

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

How to make a Film for the Hundred Dollar Film Festival - Part 8

In this post, I will talk about the most difficult part of making a film: the creative side. I had intended this to be the last post in this series, but I think I will need to revisit the issue in more detail later.

Constraints

The first step is to consider the constraints on what you can do. I talked about some of these in Part 7. Consider how much you can afford to spend, how much time do you have and whom can you rely on for help. Your film will need to be doable within those constraints.

To start, look at how long your film will be. You will likely have an upper limit of three to four minutes for the final film. While it is surprising how much you can get into such a short time period, there is a limit. If you have too many ideas, you will not get them all in.

Your film should have one central idea, with three or four ideas that support it. When you develop the film, it is best to come up with far more ideas. Try to get thirty or forty ideas. Before you start to make the film, you will need to trim those ideas down drastically. This approach worked well for me with Who Shot the President. See Part 3 for details.

Barriers

With the new technology available now it is much easier to make and distribute a film. Making a good film is still just as hard though.

One of the barriers that I’ve struggled with is self-doubt. Just the other day I came across a blog post with some good advice on how to deal with self-doubt.

What do you care about?

You need to care about the film in order to make a good film, so a good place to start to look for ideas is to think about what you care about. Some of my better ideas developed when I came up with examples to help me explain something that was important to me and not while I worked on a film.

Recognize good ideas

When I wrote the previous posts about the films I have done, what struck me was how so much of the “good stuff” was the result of chance. Accidents, adlibs and luck all generated ideas and opportunities. It is a little misleading to say that, because it was the recognition that these random results would help that was important. You can’t just hope for a lucky break. These random events will always come up, but you won’t always recognize them as opportunities.

Whenever something unexpected happens, pause before you reject it, consider if you can use it. Suppress the reaction to think it is wrong. I have tried to adopt the attitude that nothing is wrong until the editor decides they can’t use the shot. A quick, thoughtless, rejection can discourage creative input.

Bounce your ideas off other people

I know many people reject this approach, but I feel that it has been valuable in my own work. As a filmmaker, you are usually disconnected from your audience. The direct response you get will tell you what works and what doesn’t.

Take your time

Many of my films have developed over a long period of time. As you work on a film, new ideas always come along. You will come up with ways around problems.

In the end, you will need to find your own way to create. Everyone one works in different ways. Nevertheless, I hope my advice will get you started on your journey.

Links to other posts on How to Make a Hundred Dollar Film Festival Film

Part 1: Can You Still Make a Hundred Dollar Film Festival Film?

Part 2: How I Made Weekend in Calgary

Part 3: How I Made Who Shot the President

Part 4: How I Made The Fence

Part 5: How I Made My Next Film

Part 6: How I Made If I knew . . .

Part 7: The Technical Side of Making a Hundred Dollar Film Festival Film

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

2013 goals

In my New Years Day post, I looked back at what I did in 2012. In this post, I lay out my 2013 goals. That is goals for 2013, not 2013 goals.

Some Days . . .

I finished this film last year and submitted it to the Hundred Dollar Film Festival. If it is accepted, I do have a little work to prepare it for screening. Not a big part of the work for this year, but something I’ll need to do.

My Most Difficult Case

I’ve let this project drag on far too long. It has been a difficult project for me to do. In many ways, the delay in this project has stopped me from moving forward. I really need to get this film behind me.

Xtranormal Film/Video

I want to make a long video with Xtranormal. What I really want to do is to make a feature film, but I don’t feel that I am ready. I have written some longer short stories and scripts, but I feel I need to do a film or video to really learn how to make a more substantial film.

In 2012, I made Make 'em Squirm: The Sharkbiter Way, which, at a little over 9 minutes, is one of my longer projects. I want to continue my exploration of the capabilities of Xtranormal in 2013. I feel that Xtranormal might be a good way to write a script.

I have had several ideas for what to make. At one time or another, I’ve considered adaptations of several of my stories; Hello, My Name is Bob, The Crying Woman, The Gladstone Barrier, or The Glencoe Project. I’ve also thought I should create a new story.

I need to pick one of these options and move forward.

Stories

I still want to write more stories. If Pete’s Plan sells, then I may start to write more short science fiction stories along the same lines.

I have several longer stories in development that I would like to complete. My aim is to have each of them finished at novelette length.

Felix is another science fiction story. I based it on a H. P. Lovecraft story. This one looks like it will end up shorter than my target; unless I add in more twists and turns. On the other hand, maybe I need to explore the characters more. I have about half of the first draft done.

Heat Wave is also a science fiction story. I find that I have drawn a lot on my personal experiences in this one. Like Line of Taxis, it allows me to explore personal issues at some distance from myself. Like Felix, I am not yet finished the first draft.

Bright Freedom is a story I converted from a feature script I wrote. I have a first draft done. I’ve done some notes for changes to the first draft, but I want to leave the rewrite until I have some of my other projects out of the way.

I want to combine and rewrite my two transportation planning stories, The Gladstone Barrier, and The Glencoe Project, into a longer story. Maybe even a novel. Of course, I want to make them into movies too. I shouldn’t try to do both.

Work Habits

I had a commenter on my look back at 2012 post who suggested that I would be more productive if I set deadlines for my projects. I actually did set some deadlines for 2012, but I didn’t find that they really helped me.

Deadlines have their place, but I don’t like deadlines because I find they stifle my creativity. Most of my better ideas come to me when I was doing nothing and had nothing to do. Deadline change the nature of what I create in ways I don’t like.

Never the less, I recognize that I can be more productive than I am. I believe that the approach I need to do is adopt better work habits. Most of what I’ve read about writing suggests that good writers set aside a certain time every day to write. I don’t think it needs to be a lot of time, but it does need to be consistent.

It is not easy to establish new habits, or drop old habits. I can’t allow myself to give up, but I should accept that I might slip from time to time.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

How to make a Film for the Hundred Dollar Film Festival - Part 7

In the previous posts, I’ve looked at how I made some of my films for the Hundred Dollar Film Festival. In this post and subsequent posts, I will use those experiences to give advice on how to make a film for the Hundred Dollar Film Festival. I will begin with the limitations that technical side of filmmaking impose. This will be important to keep in mind when it comes to the creative side of filmmaking.

Experience

Now that digital video is so much part of the culture, many people do not understand the technology of film as much as people used to. If you don’t have experience with film technology, I encourage you to experiment with film and cameras before you start your film. You may be able to use some of your experimental footage in your film, but don’t count on that.

Most cities have groups like the Calgary Society of Independent Filmmakers that can provide the support you will need to make your film. This can include access to equipment, training, and advice.

If you can find a more experience filmmaker to help you, that can make the process easier for you.

Film Length

I would plan on a film between three and four minutes long. The original rule limited filmmakers to four rolls of colour film, or five rolls of black and white film. This gives you about twelve to fifteen minutes of film.

I know some filmmakers were able to use almost all of the film they shot. More often though, you use only a fraction of what you shot in the final film. It’s common for a feature film to use just one per cent of the film shot. For a three to four minutes long Hundred Dollar Film Festival Film, you will need to have between 20% and 25% of what you shoot in the final film.

That goal can be difficult to meet, so you need to avoid complicated and tricky shots that may not work. Some may see this as stifling creativity, but it can also be a spur to be more creative.

Type of Film

Super 8 film is available in reversal and negative, but as far as I know, you can’t get prints from the negatives. For Super 8, reversal film is the only real option if you want a final version you can project.

In 16mm you can use reversal as well, but I prefer negative. I used negative film for Contingency and then I edited the print for the final film. You can go back to a negative cut and answer print, but that is more expensive. One reason I prefer negative is that I still have that to fall back on if something happens to my print.

Post Production

The approach I have used for the last few films I made was to transfer the images to video and edit them on the computer. Then I used information from the video cut to cut the actual film. That can be tricky to do, and I have used different approaches with each of the films I have done.

On My Next Film, I wrote some of the edge numbers on the print so I could match the video to the film print. This wouldn’t work as well if you want to use the print for your final film.

When I did Contingency, I planned the shots so that the exact cuts were not critical. I only needed to get the length right. The final shot of the film was an exception, but I could identify the correct frames visually.

Sound

Super 8 sound film is no longer available, and 16mm sound requires a much more sophisticated, and expensive, approach. That pretty much limits your options for sound to non-sync sound. If sync is critical, you may be able to achieve that will live sound at the screening.

For Contingency, I created the sound track in my video editing software (Premiere Pro), and then output the sound on a CD. I had a beep on the CD that corresponded to the “2” frame, that allowed the projectionist to do a rough sync. Projects all vary slightly in their run speed, so the sound could be a second or two out of sync. It can vary through out the film.

If you work with non-sync sound, it is best to stay with either music or voice over on the sound track. Sound effects that don’t need to be in sync work as well.

Another option is to have no sound at all. Sound can add a lot to the impact of a film, so a silent film can be more of a creative challenge to make.

In the next post, I will move on to the creative side of filmmaking. Creativity is difficult to explain, but I feel some aspects of the creative process are easier to convey.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

A Look Back at 2012

At the start of 2012, I did a post about My Goals for 2012. Before I do the same for 2013, I wanted to look at how I did last year.

Make Better Use of My Time

Well, I don’t think I did very well with this. I got some projects done, but I didn’t get as much done as I could have. I have an excuse for the first couple of months: I slipped on some ice and cracked a bone in my arm and a rib. That slowed me down for a while.

I said I would set deadlines, but didn’t. I did shift my focus from short quick projects to longer projects. I got several started, but some of them are not finished yet, so I look less productive than I was.

I read more this year. Forty-four books in total. That took up my time, but Pierre Berton’s advice is “read, read, read, write, write, write, rewrite, rewrite, rewrite”, so it wasn’t time wasted.

Contingency

I completed Contingency and got it into the Hundred Dollar Film Festival. It won the best of Alberta award. That was very gratifying.

Somedays . . .

I wasn’t happy with the version I finished earlier in the year, so I pulled it out of the Hundred Dollar Film Festival. I reshot it later in the year. The new version was much better, so, if it gets accepted, it will be ready for next years festival.

My Most Difficult Case

I set a deadline of April 1 for this project. I didn’t do anything on in 2012. Next year. For sure. Really. I mean it this time.

The Crying Lady

I planned to use Xtranormal to turn the short story into a film. I never started on it, but I did use Xtranormal to make Make ’ em Squirm: The Sharkbiter Way. I found that a valuable step toward a longer project.

Transportation Planning Story (Novelette)

I wanted to write a novelette based on one or another of my transportation stories. I made some more notes about ideas and developed the story a bit, but didn’t get to any actual writing.

I did start three stories I hope will develop into novelettes. I based Bright Freedom on one of the feature scripts I wrote in 2011. I got a first draft done, which was mostly a direct conversion of the script into prose form. I cut out some material and added some as well. I restructured it a bit. I left it for a while to work on other projects before I did a second draft. It is still on hold. The first draft came in at 17,400 words.

I worked on two other novelettes. Both were science fiction stories. Felix is about an expedition to Mars to search for a lost robot rover. The idea came from an H. P. Lovecraft story. I have about half of the first draft done. It looks like done the first draft will be less than 8,000 words.

Heat Wave is the story of a scientist who runs into resistance to his research. I met a researcher several years ago who told me about their experiences, which gave me the idea for the story. The story also incorporates some of my own experiences. It looks like it will end up about 10,000 words.

I did some research into the market for science fiction stories. It looks like there are quite a large number of magazines that publish science fiction. Some don’t pay very much.

One magazine has a long list of clichéd stories they won’t publish. Unfortunately, Heat Wave is similar to one they list. I could fix that with a different ending, but the ending was the point of the story. I plan to finish the story the way I planned, and then see how people react to it.

I wrote a shorter science fiction story, Pete’s Plan, which I submitted to a couple of the magazines. Both rejected it, but there are many more to try yet. I rewrote it after the first rejection, and I plan another rewrite before I resubmit it to another magazine.

The Unexpected

Several of my projects this year were not planned. That included Make ’ em Squirm: The Sharkbiter Way, as well as the short stories and novelettes I worked on.

Blog

My 2012 goal was to post at least one blog post a week. I did 58 posts. I did miss a couple weeks because of my accident. I didn’t had as many visits to my blog in 2012, but that may be partly due to changes in the way visits were counted.

My Goals for 2012

Next week, after New Years Day, I’ll do a new set of goals for 2013.

This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog