I finished two scenes I had started last week, reworked two other
scenes I’d done earlier, and added three new scenes. I’m at just over 37
minutes now. In the final cut, that would run a bit shorter. That puts me about
40 per cent of the way through.
Characters and Story
I need to do some work on the characters. I’ve gotten a
little confused about them. Sometimes I have Arthur’s name as Ralph. I should
do a write up about each of the main characters for the blog. I may also create
a web page for the film.
I have been reluctant to post much information about the
story. That is a silly thing for me to do since the movie is based on two short
stories that I posted on my website. (“The
Glencoe Project” and “The
Gladstone Barrier”) I plan to post a bit more about the story in the
future.
First Sequence
I redid scene 1 to change the set I used. It is the scene
between the Mayor and Arthur’s boss Brandon. I decided that the office I used
wasn’t appropriate for a Mayor.
It was not too difficult easy to copy over the dialogue. Xtranormal
stores its data in a .state file, which is a zipped file containing several
files. The dialogue, camera positions, and various actions are in an xml file.
First, I created a new scene with the new set. Then I
unzipped the .state files and did a copy and paste from the old scene to the
new scene. I copied the camera positions and actions, but had to recreate the
markers manually. Unfortunately, the set was too different and I needed to
revise all the markers and camera positions. That took almost as long as it
took to do the original scene.
Third Sequence
The two scenes I finished from the previous week were the
last two for the movie’s third sequence: scenes 18 and 19. Both of these scenes
focus on the Glencoe story line. For scene 18, I added a short bit at the end
to move the Gladstone story line along.
I had run into a problem with how to end scene 19, which was
why I’d left it. The scene had some escalating conflict and needed to find a
way to resolve it. In the end, I split part of the scene off and added it to
scene 20. It helped both scenes, since scene 20 was really too short. Scene was
a little tricky to do because I had it the hallway of the boardroom set. From
the hallway some of the walls are transparent, so it was difficult to position
the camera so that wasn’t obvious.
I expanded scene 17. It was a conversation between Ling,
Arthur’s mentor and Ishita. I added a piece on the end to set up a subplot that
involved Ling. In the process, I think it developed her character more.
Fourth Sequence
The fourth sequence focuses on the Gladstone story line. I
did scene 21 and then skipped several scenes to get to scene 25. I may
eliminate scene 22. With the Gladstone story line, I’ve had to toss out most of
the material from the short story. I don’t think any of the scenes in this
sequence have any counter part in the short story.
In scene 21, I have Ling advising Arthur about both of the
story lines. I think I went overboard with Ling’s advice. It sounds too much
like a lecture. I think I can cut out much of it. I finish the scene with a bit
of an aside to build up Ling’s character. I need to do more of that with
Arthur.
In scene 25, Ishita and Arthur try to convince Brandon to
support the barrier. I think it turned out fairly well. The end of the scene
sets up the next scene.
In the intervening scenes, Arthur will put together a case
for the barrier and convinces Ishita to go along with it.
This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog
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