Sunday, April 25, 2021

“Speed Date” Update 2021 April 25

I didn’t get as much done as I would like. I did start to see where I need to improve the dialogue. I’m still on the look out for some one who has gone to a speed date that I can interview.

I have focussed on developing the video in Nawmal. It has some glitches that I want to fix. Mostly this had to do with changing the location and timing of the camera angle changes. But, as I worked on it, I realized that I needed to work on the dialogue first. After watching the video multiple times, I just didn’t find what they talked about that interesting. Of course, parts of the dialogue are supposed to be superficial.

I used Xtranormal as my writing tool a few times and that seemed to work well for me. I want to take the same approach with Nawmal. But I got too involved with getting the visuals right at the neglect of the dialogue. So, I went and dropped all the camera setups and now I have a single camera set up for the whole video.

That is as far as I got on the project. Next week I hope to focus on the dialogue and action. Once I’m happy with that, I will start putting in the camera setups again.

I am calling it "Cupid's Associates" for now but am not happy with that. I came up with some alternatives:

·         “Cupid’s Underlings”

·         “Cupid’s Minions”

·         “Cupid’s Cronies” (my niece suggested this one)

·         "The Minions of Cupid"

·         "The Minions of Eros"

I still like the name minions, but that will bring up the image of the cartoon characters in most people’s minds. I like “Cupid’s Cronies”, but there are at least two dating companies with that name. "The Minions of Eros" is my favourite at the moment.



This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Sunday, April 18, 2021

Project Updates 2021 April 18

I’ve struggled to make much progress on my projects. Mostly due to a stretch of lethargy. I did make some progress though.

"Bright Freedom"

I came up with the idea for “Bright Freedom” about 12 years ago. Since then, I wrote several different drafts of a script. Then I abandoned that approach and tried to turn it into a novel. I went through several different versions of that. I abandoned the story altogether several times.

I ran into several different problems. Partly it was that the main character was a different gender, a different ethnic group, and a different career than me. I often felt that I was the wrong person to write the story. I also ran into trouble with the actual story. It started well, but I felt the resolution was weak, and of course I struggled with the middle section. I find it hard to come up with a middle and an end that would match the beginning.

Nevertheless, I kept going back to the story. It is almost as if the protagonist keeps pushing me to write her story. She is a strong woman, and I can’t really say no to her.

I have never shown anyone any of what I’ve written because I never felt that I had anything complete enough to share. I feel that I need to get some feedback before I can move forward.

I decided to write a treatment for the story. That would give me something that I can approach people on feedback for.

I made good progress on the treatment in my first session. But then, I got stymied on it again.

Nawmal Movie


I got a licence for Nawmal (https://www.nawmal.com/) a short time ago. I wanted to redo “The Barrier”, which I’d done with an earlier version of the program. I was a little intimidated at taking on such a large project, so I wanted to find a shorter project to start on before I got the licence.

I decided to do one based on a writing exercise I’d done for my writer’s group: “The Broken Attic”. It was fairly short, and I felt it would work well in Nawmal. However, I kept procrastinating on it, and I never got started.

More recently, I did a treatment and draft script titled “Speed Date” for my writer’s group.  It is about two people who meet at a speed dating event. There were some issues with it I would need to fix, but I decided to try doing it with Nawmal. In the past I’ve found that it can help me to write dialogue using Nawmal.

I used a new set of characters and sets that weren't in the earlier version. I found them quite good for the story. I was disappointed with the voices that come with Nawmal when I tested them. However, when I used them in the movie, I was quite impressed. They sounded much more natural than the earlier voices.

So far, I have just created a version of the movie based on the original script. Once I’m satisfied with that, I plan to start revising the dialogue. Already I can tell that I really need to develop more interesting things for the characters to talk about.

I decided to change the title from “Speed Date” to "Cupid's Assistant". I am intrigued by an alternative "Cupid's Minions" or maybe “The Minions of Cupid.” I always thought of the word minion as being vaguely sinister, but I think most people wouldn’t because of the cartoon characters.

I’ve never gone to a speed dating event, and I’m not likely to ever go on one. Someone in my writer’s group suggested that I find a movie with a speed dating scene to study. I'd rather try to find someone who has been to a speed dating event to hear what their experience is.

If you know anyone who has been to a speed dating event and would be willing to chat with me about their experience, please encourage them to get in touch with me.

 

 


This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog

Sunday, February 7, 2021

A Bunch of Story Ideas

The writer’s group I joined suggested we come up with ideas we could pitch. I Decided to share some here on my blog.

The idea is to develop ideas for short “conversation” movies. I wrote up some of my thoughts about that a while ago: https://dynamiclethargyfilms.ca/stories/conversational-stories/

 

The Slow Speed Date

Only two people show up for a speed dating event. They think they are early, so they sit and wait. They chat while they wait but run out of things to say because they only expected to chat for 5 minutes at a time. After some awkward silence, they start to talk again. Their conversation develops and they start to build a connection. They eventually learn that there was no event planned. A mutual friend used that as a ruse to get them to meet.

Masks

A man and a woman go on their first date. They eat in a private room at a restaurant. They are both shy people and find it hard to make conversation. The room is decorated with theatre props, including some acting masks. One of them, as a joke, puts on one. With the mask on they feel freer to open up. The other person puts on a mask. With the masks on, the two are able to open up to each other and express their real feelings.

The Misunderstanding

A woman meets a man she admires to talk about work he has done that fascinates her. The man misreads her interest as romantic, so he tries to woo her. She rejects his advances. Her rejection leaves him flustered. He apologizes to her. She talks about the difficulties she has, as a woman, with men who don’t take her seriously. He struggles to understand how she feels. In the end, he has an appreciation of her struggles and she gains more respect for him.

The Collaboration

Two people meet to talk about collaborating on a script. Their idea is to write a script about two people collaborating on a script about two people collaborating on a script and so on. They stop talking when they hear paper ripping. They both look up in fear. The scene cuts to a different room with the same two people. One of them holds papers they just ripped in half. They agree that they are getting stuck in a loop and they need a different idea.

The Chess Match

Back in 1972 my brothers, my cousins and I made a short film on 8mm film inspired by the world chess championship match underway in Iceland at the time. As I watched it again recently, I felt the urge to remake it. The story is rather absurd, which appealed to me. I would need to expand it to justify remaking it.

A Friend in Need

A person approaches a friend to talk about a problem they have. They are reluctant to talk about it, so they “beat around the bush”. Their friend doesn’t pick up on it right away. When they do, they find it difficult to help because they can’t talk openly about it. Despite the difficulty in communicating, the person with the problem finds a solution. They thank their friend for their help. Their friend never does understand the problem.

A Story over Coffee

Two people are relaxing over coffee after they finish their business meeting. One talks about a problem they have. The other tells them a long story about someone they knew who had a similar problem. The story causes the first person to reconsider what they really want to accomplish.

A Technical Problem

Two people discuss a technical problem they are working on together (i.e.: engineering or computer systems) that evolves into a discussion of the ethical issues related to the problem and how that should affect the technical solution that they choose.

A Life Story (Pseudo-documentary)

The pseudo-documentary follows the life of a rather unremarkable person through interviews with their friends, old pictures, and home movies. The people being interview act oddly antagonistic to the off-screen interviewer. The climax of the movie comes with the murder of the subject of the movie. The documentary then reveals that the filmmaker is the person who murdered them. When the judge learned that the murderer was a filmmaker, she made it part of their punishment that they had to make a movie about the person they killed. This is an idea I had many years ago but dropped because of the negative feed back I got.

 

Thoughts on Making These Films

The big advantage of this kind of story is that they are relatively cheap and easy to make. There are very few actors; usually just two. A filmmaker can shoot in just a few locations, and often just one. What I have found, though, is that, while easy to make, they are much more difficult to write.

I like these ideas, but realize that for the most part, they are story structures which I can then use to give an excuse for a conversation. The actual conversations that come out of these situations I would need to develop. This is where I’ve run into problems in the past with this approach.

I recently came across an article and video that discusses this kind of story that suggested that the filmmaker begin working with the actors at an early stage of the project. Allowing the actors to contribute to the development of the characters and dialogue will create a richer story. https://nofilmschool.com/How-to-write-a-conversation

 



This post is a mirror from my main blog http://www.dynamiclethargyfilms.ca/blog